Los Angeles, March 21, 1984
Link: Hans Weisshaar
I first met Sacconi in 1937 in Cremona and
later that same year in New York, where he directed the workshop of Emil
Herrmann. At that time I showed him an unvarnished violin for his critique and
advice and from then on visited him regularly until I was employed by Emil
Herrmann. From that point on, working full time with Sacconi, I had the unusual
opportunity to work under his guidance until 1947, when I moved to Los Angeles
and established my own business. I will not dwell on anecdotes, but will state
what I believe are the most important and admirable contributions which this
renaissance man made to our art and craft.
First of all he had a marvelous skill in all
phases of wood carving, classing him among the best ever. In addition he could
draw and retouch like a painter and above all, he understood the great classic
Italian makers of the 16th, 17th and 18th centuries and had developed – through
his almost fanatical dedication and industry – a great overall knowledge and
refined taste.
With all these wonderfully developed gifts came
an artistic fantasy which enabled him to invent new and sophisticated repair
techniques which he taught to those students who really worked with him. He was
a true pioneer in this field and the consequence of his teaching activity was
that he raised the level of violin making and repairing in the United States to
such a degree that it is second to none today. His associates have carried on
his work here as well as in Europe.
As far as research is concerned, nobody before
Sacconi matched the zeal with which he studied the work of the classic Italian makers.
The very intimate study of about two-thirds of Stradivari's work enabled him to
publish his very valuable work «I ‘Segreti’ di Stradivari». He also became very
interested in the study of materials used by the classic makers and his findings
in regard to the purfling materials used by different makers and in different
schools were faithfully catalogued and added to by Dario D'Attili, who was undoubtedly
the most devoted pupil, assistant and longest co-worker (35 years) of Sacconi.
I have been asked in what way Sacconi influenced
my work. The answer is “in every way”. He helped me to understand and
appreciate the great classic Italian tradition.
Los Angeles, March 21,
1984
Taken from the book: «From Violinmaking to Music: The Life and Works of Simone Fernando Sacconi», presented on December 17, 1985 at the Library of Congress in Washington, D.C. (Cremona, ACLAP, first edition 1985, second edition 1986, page 56 - Italian / English).
© 2023 - In memory of Simone Fernando Sacconi in the 50th Anniversary of his death